NEAT NESTING

NEAT NESTS - CERAMIC PROJECT IN THE GAMBIA

​

​​In January, I joined a two-week ceramic project in Gambia, working alongside a group of ceramic artists and local makers. It was an inspiring journey where I was immersed in a unique culture and an equally unique natural environment. From this experience, several ceramic pieces emerged. Each inspired by animals and insects that coexist seamlessly with the local population. These creatures aren’t seen as pests or nuisances; they’re considered fellow inhabitants of the landscape, and their presence is woven into daily life.

​

I marveled at the termite mounds, massive structures built with incredible precision, and the weaver birds, whose intricate nests hang like living sculptures from the trees. Sometimes small nests were tucked into the eaves of homes or even attached to hand-built canoes. Like the oysters harvested from the mangroves, filling the kitchen with their salty flavours. 

​

What fascinated me most was how domestic spaces and nature blend effortlessly. Nests aren’t hidden away; they’re part of the architecture, fitting into cracks, roof tiles, or the sides of boats. Local crafts and traditions are shared freely, absorbed without question. This merging of human-made and natural elements became the foundation for my brush series,  which reflects how life in The Gambia thrives on harmony rather than separation.

​

But it wasn’t just about inspiration, it was also about hands-on creation. The group built our own kiln from scratch and fired our ceramics using traditional methods. The process was raw, unfiltered, and deeply connected to the land. A serie of ceramic works that reflect the harmony between nature, craft, and community.

​

​

​

Credits

Photo's - Lotte Ooms

Production support - Hester Kornelis, Local community, Soforal lodge

​